The Paper, Some Paper
Classified newspapers, raffia strings
The Paper, Some Paper consists of suspended sheets of classified ads of a local newspapers, threaded loosely with pink raffia, and held together in the shape of a pillar. From far, it looks like pink rain piercing the newspaper sheets with deadly accuracy. From a middle distance, it resembles a dissected piece of muscle, with limp sinew attached to slices of cross section. Up close, it looks like a controlled chaos of newspaper sheets uncannily suspended in time. Classified ads are a peculiar choice: they could represent the consumeristic hankering or the materialism of a society’s dreams—be it a holiday travel, a dream car, or home. to others, classified ads could represent desperation. Selling a prized possession to tide financially difficult times. It could represent ultimate boredom: reading ads randomly to find peculiar things or useless trivial facts to marvel at. Since small and short classified ads in newspapers are often placed by individuals or small businesses, it could signify the place of small enterprising businesses amongst the larger consumer brands. Piecing the title, form, and subject matter together, the work possibly suggest a nostalgia for forlorn Karang Guni men with their upright metal carts, air horns, pink raffia string and bundles of newspapers on uncovered pickups, who still ply their trade within public housing estates. In the age where large recycling companies and throngs of students collect newspapers for profit or charity runs, is there still space for the traditional Karang Guni men? The work could possible suggest the distinction between a useful object (a set of classified ads), and its mere material form (as paper). From a romantic perspective, if we knew newspapers are recycled and often re-born as newspaper, it exemplifies to some extent, the concept of objectified immortality.
Text by Lim Kok Boon